Movements like WIHM are vital until we achieve true equality. We need the freedom to push boundaries and take chances they way male filmmakers have been able to. It’s like, if we don’t hit a home run right away we don’t get another shot at bat. Female creatives – across the industry, not just in horror – often get opportunities but are frequently given such a short leash. Shining a light on the incredible talents and voices of those less heard brings fresh perspective to this wonderful genre. Representation matters, and we have more of a voice when we all band together. To you, what is the importance of a movement like Women in Horror Month? Women in horror have made great strides, but it’s clear that a lot of work is still needed to make it a most inclusive genre. ![]() I wanted to be an actor to reflect all that we as people encompass, and to help share all of the stories floating around out there that bring us together. Who inspires you in your work and in life? I love the deep, dark parts of the psyche it explores. ![]() What is it that attracts you the horror genre for your chosen field of creative work?Īs an actor I like the extremes of emotions you get to explore in horror. ![]() I’ve also contributed to Women in Horror Month by producing and starring in the short film Blood Bus. I’ve also appeared in a variety of film/tv stuff like Fringe, Supernatural, Eureka and more recently in leading roles in The Tale of Two Coreys and The Fiddling Horse. Hi! I’m Paula Lindberg, a Los Angeles-based, Vancouver-bred actor that horror fans might recognize as Ruby Realgirl from American Mary.
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